It’s always a bit of a challenge for me, working with warm colors. I prefer the soothing cooler colors of blue, blue/green with perhaps a touch of color from the warm side of the color wheel. But these hot humid days in the studio have inspired me to try warming up my palette. I want to create a series of landscapes using predominantly warm colors to reflect the current weather patterns.
This is the first in the series. So far it’s an untitled painting and it’s 12″ x 12″ painted with acrylics. I used my current standard palette of Hansa Yellow Medium, Napthol Red Medium, Phtalo Blue (green shade), Titanium White, and I added Transparent Red Iron Oxide to the palette to create some deeper warm tones.
Here’s the first step to the painting. I randomly brushed the surface with some cool colors…just to get rid of the white…then I used a painting knife to apply light molding paste. The molding paste has a bit of tooth and would allow me to use drawing media like graphite or colored pencil on the surface at any stage. But as it turns out, I chose not to add calligraphy. The texture you see in the final painting is actually the molding paste.
I covered the surface with a golden yellow then used an old, rough stain brush to apply the oranges.
I think the hot colors gave me a headache! I toned down the surface here by drybrushing mostly white over the sky area and adding a blue path.
Here I defined the path a bit more then brought some of that blue color up into the sky. To complete the image I added a few more lights, a few more darks and glazed the orange area in the front of the painting with several layers of Transparent Red Iron Oxide to tone and deepen the color.
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Funny how paintings can change over time. One gets completed; you live with it for a while and seem to enjoy what you created. Then, some time down the road, you realize a few nips, tucks and tweaks can make a stronger image.
The painting above is the current result of an image I’ve changed a few times. The image below shows the former look. The orange tree poking up through the forest just became annoying.
I knew I had to do something with that tree, and the photo below shows what I did – I got rid of it! With acrylics, that’s easy to do.
I mixed the sky color which was Ultramarine Blue, Titanium White and a touch of Indian Yellow and brushed into the sky, over the offending tree and down into the tree line a bit. I didn’t adjust anything in the bottom half of the painting but did soften the tree line, made the highlight on the grass a little thinner and less intense and move the tree into the front of the forest.
I built the tree with layers of ultramarine blue and yellow creating values of yellow-green. Then I just kept adding color and switched the hue, and the tree, to blue-green, which I liked better. I added a few more touches of the blue-green throughout the image and I’m calling this painting done!
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My morning start. If I work small, if I work quickly and loosely, I can stir up whatever creative genes I possess to pump up the excitement, pump up the skill set for a day of painting.
This is my current sketchbook. It’s filled with watermedia sketches created in a matter of minutes once I turn on the lights in my studio each day. I start with watercolor and often add casein. The watercolor is transparent; the casein helps me resolve the image with some opaque color.
I use a coil bound Field Series Watercolor Journal with 140 watercolor paper. Although I haven’t tried this Iexpect the journal would also work well with mixed media technique. The size I use is 6″ x 6″ but it comes in a variety of sizes and different cover colors. Here’s mine:
I use Qor watercolor paints from Golden Artists Colors and Shiva casein available from Richeson Art. And today, I seemed to be extra enthusiastic so here a couple more sketches from this morning’s start up session.
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